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Why Adult Handwriting Gets Messy, and Where to Look When You Fix It

Hiroki ObaraHiroki Obara · DeveloperStudyX Smartpaper LettersHow-To
Why Adult Handwriting Gets Messy, and Where to Look When You Fix It

Most adults learnt to write by hand as children, then spent years writing fast: lecture notes, meeting notes, shopping lists. Handwriting that only had to be readable to ourselves slowly drifted. Then one day we write a card or fill in a form and notice that it looks messy.

Many people think neat handwriting is a talent you either have or don’t. Messy handwriting can also be seen as the result of a handful of specific causes, often several at once. Once you know which ones apply to you, you also know where to start. This post goes through the common causes, a simple way to see which ones are in your own writing, and one order for fixing them.

Cause 1: Speed

One common cause is speed. When you write fast, letters run into each other, strokes get cut short, and loops close or open at random. That is not a problem in itself; well-formed joined handwriting is fast too. The trouble with handwriting that became fast on its own is that it shortens things differently every time, so the same letter never looks the same twice.

Cause 2: Grip and posture

Very few adults ever look again at the way they hold a pen. A grip that is very tight, or too close to the tip, stops the fingers moving freely and makes it hard to control the direction of a line.

Posture matters as well. If the paper is far off to one side, or your body leans, lines you meant to draw straight come out tilted.

Changing a grip as an adult takes time. Instead of changing everything at once, you can try two things first: hold the pen a little further from the tip, and put the paper in front of you.

Cause 3: Slant

Letters that lean in different directions are one of the quickest ways for writing to look untidy. Upright or slanted both look fine. Mixing them does not. Look at the tall strokes in letters like l, t, d and h. If they point in different directions, slant is one of your causes.

Cause 4: Size and the baseline

Lowercase letters should share roughly the same body height, with ascenders and descenders reaching consistently above and below. When some a’s are twice the size of others, or letters float above and sink below an imaginary line, the whole line looks uneven even if each letter is well formed.

Cause 5: Spacing

Sometimes each letter is fine but the page still looks messy. Then the cause is usually spacing: letters crowded in one word and spread out in the next, words almost touching, lines drifting downhill. Practising single letters will not fix this. It only shows up when you write whole lines.

Cause 6: Letter forms

Over the years, many of us end up with letters that are ambiguous: an a that looks like a u, an n that looks like a u, an r that disappears. Some people also switch between print and joined forms in the same word. Readers have to guess, and the writing looks careless even when it isn’t.

Finding the causes in your own writing

The easiest way is to write the same thing twice and compare.

  1. Write a sentence you often write, or your name and address, at your normal speed.
  2. Write it again as slowly and carefully as you can.
  3. Put the two side by side and ask these questions in order.

Does it look much better when you slow down? If it does, most of the problem is speed. You already know the shapes, so slowing down a little will change a lot.

Which letters are still wrong when you write slowly? Those letters have a form problem. List them and compare them with a model.

Are the letters fine, but the lines messy? Then look at size, the baseline and spacing.

Do the lines themselves wobble or wander? Then look at grip and posture.

What to fix first

If several causes overlap, here is one order to try. First, slow down a little. It is easy and makes the biggest difference. Next, the letters that stay wrong even when you write slowly. Then size and spacing. Grip takes longest, so work on it slowly alongside the rest.

Don’t try to fix everything at once. A week or two on one cause is plenty. And there is no need to chase perfection. The goal is handwriting that is easy to read and looks settled.

If you also write Japanese, the Japanese side of the same problem is in Neater Japanese Handwriting in 10 Minutes a Day: What Changes First.

Fixing letter forms with StudyX Smartpaper Letters

StudyX Smartpaper Letters is a tracing app for iPhone and iPad. You can write with a finger or with Apple Pencil.

When the comparison above shows you which letters stay wrong at slow speed, you can type them into the search bar and practise them directly. It covers the alphabet in print and, with a setting, in cursive, as well as numbers, hiragana, katakana and more than 10,000 characters in all. The model draws itself one stroke at a time, so you can check the order of strokes for letters you have been forming your own way. By default, letters are shown on coloured backgrounds in the Montessori style: blue for vowels and red for consonants, with numbers in green.

You get a score after each character. It measures how closely your lines overlap the model. It does not check stroke order or the finer details of each stroke. When the shape or proportions of a letter drift, the overlap drops, so the score is a reasonable guide to form.

The app practises one character at a time, though. Speed, spacing and grip can’t be fixed in it. Check those on paper.

It is a one-time purchase with no ads and no in-app purchases, and what you write is not sent anywhere.

For a first session, see Getting Started with StudyX Smartpaper Letters. For routines, see Tips for Practicing with StudyX Smartpaper Letters.

Download on the App Store